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Mary Gauthier & Robbie Fulks

An Evening with Mary Gauthier & Robbie Fulks

Two songwriting storytelling masters share the stage for a magical night of charming wit, tales from the road, and unforgettable music.

When and where

Date and time

Sunday, Sep 15, 2024
7:00 PM - 9:00 PM

Address

Caffè Lena, 47 Phila St. Saratoga Springs, NY 12866

Cost

$21 - $42

Hosted By

About this event

Grammy-nominated and acclaimed singer-songwriter Mary Gauthier has used her art once again to traverse the uncharted waters of the past few years. “I’m the kind of songwriter who writes what I see in the world right now,” she affirms. Thankfully, amid dark storms of pandemic loss, she found and followed the beacon of new love, evident in 2022’s powerful Dark Enough to See the Stars – a collection of ten sparkling jewels of Gauthier songcraft reflecting beauty in sorrow, healing in loss, and a perspective only an artist of uncommon generosity can give.

In addition to penning instantly memorable songs such as “Drag Queens in Limousines,” Gauthier has never shied away from difficult self-exploration, including sobriety, confessions of a troubled life, and the repercussions of her adoption from a New Orleans orphanage and subsequent search for her birth mother. Brandi Carlile has said, “Mary’s songwriting speaks to the tender aspects of our humanness. We need her voice in times like these more than we ever have.” The Associated Press called Gauthier “one of the best songwriters of her generation.” Gauthier reflects: “Writing helps me sort out confusion, untangle powerful emotions, and ward off desperation. It helps me navigate the powerful emotional weather systems of life.”

Robbie Fulks is a singer, recording artist, instrumentalist, composer, and songwriter. His most recent release, Upland Stories, earned year’s-best recognition from NPR and Rolling Stone, as well as two Grammy® nominations, for folk album and American roots song (“Alabama At Night”). He’s been a member of bluegrass band The Special Consensus and his early solo work helped define the “alternative country” movement of the 1990s. Lately he’s returned to the acoustic instrumentation of his earlier bluegrass days, extending the boundaries of that tradition with old-time rambles and sparsely orchestrated reflections on love, the slings of time, and the troubles of common people.


Event times and information subject to change and not guaranteed.